{"version":"1.0","provider_name":"Sztuka magdale\u0144ska w Polsce: technologia, modyfikacje i znaczenie spo\u0142eczne","provider_url":"https:\/\/magdalenianart.uwr.edu.pl\/en\/","author_name":"marek.grzeskowiak2@uwr.edu.pl","author_url":"https:\/\/magdalenianart.uwr.edu.pl\/en\/author\/marek-grzeskowiak2uwr-edu-pl\/","title":"Research Team - Sztuka magdale\u0144ska w Polsce: technologia, modyfikacje i znaczenie spo\u0142eczne","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"pMpYHAfqlv\"><a href=\"https:\/\/magdalenianart.uwr.edu.pl\/en\/research-team\/\">Research Team<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/magdalenianart.uwr.edu.pl\/en\/research-team\/embed\/#?secret=pMpYHAfqlv\" width=\"600\" height=\"338\" title=\"&#8220;Research Team&#8221; &#8212; Sztuka magdale\u0144ska w Polsce: technologia, modyfikacje i znaczenie spo\u0142eczne\" data-secret=\"pMpYHAfqlv\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/magdalenianart.uwr.edu.pl\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Professor Tomasz P\u0142onka Institute of Archaeology, University of Wroc\u0142aw project management, study of art tomasz.plonka@uwr.edu.pl Dr Tomasz Boro\u0144 Institute of Archaeology and Ethnology, Polish Academy of Sciences, Warsaw analysis of the technique of execution of flint figurines Marcin Diakowski Archeoreplica study of ornamentation, experimental research Aleksandra Furczyk, scholarship holder Institute of Archaeology, University of Wroc\u0142aw [&hellip;]","thumbnail_url":"https:\/\/magdalenianart.uwr.edu.pl\/wp-content\/uploads\/sites\/665\/2025\/02\/Tomasz_Plonka-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1828}