1.0Sztuka magdaleńska w Polsce: technologia, modyfikacje i znaczenie społecznehttps://magdalenianart.uwr.edu.pl/en/marek.grzeskowiak2@uwr.edu.plhttps://magdalenianart.uwr.edu.pl/en/author/marek-grzeskowiak2uwr-edu-pl/rich600338<blockquote class="wp-embedded-content" data-secret="huL09SXvP2"><a href="https://magdalenianart.uwr.edu.pl/en/research-team/">Research Team</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://magdalenianart.uwr.edu.pl/en/research-team/embed/#?secret=huL09SXvP2" width="600" height="338" title="“Research Team” — Sztuka magdaleńska w Polsce: technologia, modyfikacje i znaczenie społeczne" data-secret="huL09SXvP2" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://magdalenianart.uwr.edu.pl/wp-includes/js/wp-embed.min.js </script> Professor Tomasz Płonka Institute of Archaeology, University of Wrocław project management, study of art tomasz.plonka@uwr.edu.pl Dr Tomasz Boroń Institute of Archaeology and Ethnology, Polish Academy of Sciences, Warsaw analysis of the technique of execution of flint figurines Marcin Diakowski Archeoreplica study of ornamentation, experimental research Aleksandra Furczyk, scholarship holder Institute of Archaeology, University of Wrocław […]https://magdalenianart.uwr.edu.pl/wp-content/uploads/sites/665/2025/02/Tomasz_Plonka-scaled.jpg25601828